Arturia Minimoog V2

We wouldn’t be flattering Arturia too much to propose that, when it comes to software recreations of some of electronic music’s most celebrated synthesizer technology, it’s up there with the best.

One of the company’s best loved titles – the Minimoog V – has just been treated to a Version 2 update – an interesting challenge requiring a balance amoung respecting the tradition of the most famous synthesizer ever made and giving it a 21st century twist.

What’s new?

Arturia’s original Minimoog V set about trying to recreate the sound of the famous Moog hardware and as that hasn’t changed (obviously!) nor has the main part of the Minimoog V GUI.

However, whether you visit either the upper edge of the synth’s display or the Open button in the top right hand corner, hey presto, the upper section of the synth falls forwards to reveal Arturia’s pimped up ‘extras rack’.

There are several new highlights here. Firstly, there’s a Motion Recorder in the top left hand corner, which enables you to choose four colour-coded parameters and draw envelopes for these, which can create dynamic change in a sound as it plays. You can sync these envelopes to tempo, loop them and set their speeds, so wild and crazy moves are absolutely possible now.

There’s additionally a vocal filter which applies vowel formants to any sound. The Minimoog filter is famous, of course, but Arturia hasn’t been afraid to offer that timbral alternative, which, whether you’ll excuse the pun, speaks for itself the moment you push a sound towards any of the five vowel targets on offer.

Next comes a revised modulation matrix, which is where you can set eight sources and destinations with independent amounts available to each of these routings. The new filter and additional new options like twin sample and hold triggers are available as sources so, again, the options for sound design are vastly increased. There are even additional coding developments

too to modify the circuit modelling.

However, our favourite new feature has nothing to do with the sound engine at all but the way in which Arturia has presented a new approach to preset browsing.

The Sound Map comprises a window with all presets mapped like a constellation of satellites with similar sounding timbres occupying neighbouring portions of the display. You can visit on a preset to audition it or choose a nearby sound to take in a related variation.

The further you travel the more the sound changes and it’s even possible to morph from one sound to another. You can filter your search to maximise the chance of finding something you’re after or just dive in at random. The window looks like a night sky without cloud cover – attractively designed and extremely effective.

Summary

If the purists come down on Minimoog V2 for altering a classic, they’ve missed the point. that remains a great sounding Moog clone but it now has both feet planted firmly in the present and offers abundant to satisfy you in the future. whether you’re after a pimped up Moog in software design, be here now.

Listen to the Minimoog V2’s classic sound:

var so = new SWFObject(”/default/flash/AudioSampler.swf”, “AudioSampler”, “170″, “40″, “7.0.14″, “#FFFFFF”);
so.addVariable(”file”,”http://mos.musicradar.com/audio/Future%20Music/Issue%20215/arturia/Brass%20using%20O.mp3″);
so.write(”flashcontent_Future%20Music/Issue%20215/arturia/Brass%20using%20O”);

var so = new SWFObject(”/default/flash/AudioSampler.swf”, “AudioSampler”, “170″, “40″, “7.0.14″, “#FFFFFF”);
so.addVariable(”file”,”http://mos.musicradar.com/audio/Future%20Music/Issue%20215/arturia/Dream%20Sequence.mp3″);
so.write(”flashcontent_Future%20Music/Issue%20215/arturia/Dream%20Sequence”);

var so = new SWFObject(”/default/flash/AudioSampler.swf”, “AudioSampler”, “170″, “40″, “7.0.14″, “#FFFFFF”);
so.addVariable(”file”,”http://mos.musicradar.com/audio/Future%20Music/Issue%20215/arturia/Free%20Running.mp3″);
so.write(”flashcontent_Future%20Music/Issue%20215/arturia/Free%20Running”);

var so = new SWFObject(”/default/flash/AudioSampler.swf”, “AudioSampler”, “170″, “40″, “7.0.14″, “#FFFFFF”);
so.addVariable(”file”,”http://mos.musicradar.com/audio/Future%20Music/Issue%20215/arturia/JS%20Bach%20Lead.mp3″);
so.write(”flashcontent_Future%20Music/Issue%20215/arturia/JS%20Bach%20Lead”);

var so = new SWFObject(”/default/flash/AudioSampler.swf”, “AudioSampler”, “170″, “40″, “7.0.14″, “#FFFFFF”);
so.addVariable(”file”,”http://mos.musicradar.com/audio/Future%20Music/Issue%20215/arturia/Vocal%20Snare.mp3″);
so.write(”flashcontent_Future%20Music/Issue%20215/arturia/Vocal%20Snare”);

var so = new SWFObject(”/default/flash/AudioSampler.swf”, “AudioSampler”, “170″, “40″, “7.0.14″, “#FFFFFF”);
so.addVariable(”file”,”http://mos.musicradar.com/audio/Future%20Music/Issue%20215/arturia/White%20Toast%20Bass.mp3″);
so.write(”flashcontent_Future%20Music/Issue%20215/arturia/White%20Toast%20Bass”);

[Source] Future Music